My work celebrates the ephemeral nature of clay, capturing the delicate balance between permanence and impermanence. I explore how the material’s once fluid, pliable state transforms into something fixed, with gestural marks left behind as a reminder of its malleable origin. At its core, my practice is driven by an interest in this moment of transition—when softness becomes stillness, preserving a moment in time. 

In my latest series of ceramic quilted vessels, I explore the boundaries of slip casting, a process traditionally devoid of mark-making and undercuts. By creating plaster molds from fabric objects, I capture the fine details of the fabric, transforming its soft, pliable nature into a permanent, sculptural form. These vessels feature a patterned surface that are reminiscent of traditional ceramic tiles and hand-stitching techniques such as Sashiko. This distinctive surface texture, with subtle undercuts and plush impressions, invites an unexpected tactile response. The resulting objects are indicative of the material’s initial softness and of the handcraft embedded in its creation.

Through both functional vessels and sculptural pieces, my work challenges the perception of clay as a rigid material. I create objects that feel alive with movement, yet are grounded in their stillness. In this ongoing exploration of materiality I seek to preserve the fluidity of clay, with each piece recording a moment in time, celebrating the beauty of transience.